Tagged: Guilds

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Florence and its Signs, part 2: The Heraldic Diagram of another Florentine Guild and the Bossolo

In my previous text on this blog, entitled ‘Florence and its Signs: A Late Mediaeval Diagram of the City’ (https://heraldica.hypotheses.org/4880) I presented the heraldic diagram painted at the main vault of the Palace of Judges’ and Notaries’ Guild. I proposed to interpret this image as ‘a peculiar visual political treatise’, main function of which was to legitimise the hierarchy of communities and the city’s political system. A confirmation of...

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The Arms of the Florentine Republic in the “Bossolo” (End XIV s.): An Ideal Self-Representation of the Town

In “Florence and its Signs: A Late Mediaeval Diagram of the City”, Anna Pomierny Wąsińska described a fresco painted by Jacopo di Cione on the main vault of the Palace of the Judges’ and Notaries’ Florentine Guild (about 1360)1. She pointed out the close relation between the heraldic signs with an ideal ‘diagram’ of the town, formed of concentric circles and conceived as a «peculiar visual political treatise, which legitimises...

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Florence and its Signs: A Late Mediaeval Diagram of the City

In the 1360s the abstract portrayal of Florence was painted by Jacopo di Cione on the main vault of the Palace of the Judges’ and Notaries’ Guild[i]. This heraldic diagram is a peculiar visual political treatise, which legitimises the hierarchy of communities and the city’s political system. To this end, an unusual synthesis of knowledge was used, merging aspects of perception of the communal law, relevant political treatises and,...

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The Heraldry of the Weavers’ Guild of Augsburg: Mythical Origins and Everyday Display of Corporate Heraldry in Clemens Jäger’s ‘Weberchronik’

Clemens Jäger’s Weberchronik [1], a sixteenth-century chronicle dedicated to the history of the weavers’ guild of Augsburg, is a formidable example to demonstrate how urban chronicles can be used to analyse the importance of heraldry in urban society, especially in terms of coats of arms as an element of civic identity and collective representation. In this blog post, I am not so much interested in the heraldic illuminations that...

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Die runden Wappentafeln der Zünfte

Im Folgenden möchte ich einen sehr verkürzten Überblick zu den bisherigen Ergebnissen der Erforschung des Objektbestandes der runden Wappentafeln der Zünfte geben, deren ausführlicheren, jedoch ebenfalls nur vorläufigen Ergebnisse ich auf der internationalen Tagung Material Culture. Präsenz und Sichtbarkeit von Künstlern, Zünften und Bruderschaften in der Vormoderne (25.-28. Februar 2016, Zentralinstitut für Kunstgeschichte München) präsentiert habe. [1] Außerdem möchte ich mit der Vorstellung des Themas und Objektbestandes einen Aufruf...