The Bavarian Charlemagne: Communicating through attributed coats of arms
The series of Bavarian princes in a late 15th-century manuscript contains an interesting coat of arms attributed to Charlemagne. It differs slightly from the common design of his arms. This subtle variation can open a door to more insights into the function of coats of arms as a performative means of communication. Charlemagne’s arms This coat of arms of Charlemagne consists of three elements: per pale, the dexter half Or, a double-headed … Continue reading The Bavarian Charlemagne: Communicating through attributed coats of arms
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