Myth-Making in the Arms of the Arte della Lana
On Heraldica Nova Anna Pomierny Wąsińska has previously shown how heraldic imagery in Florence could operate as a form of political visual language. Discussing the abstract portrayal of Florence painted by Jacopo di Cione in the 1360s on the main vault of the Palazzo dell’Arte dei Giudici e Notai, she interprets this heraldic diagram as a “visual political treatise” that legitimised the hierarchy of communities and the city’s political...


