Category: Sintra2017

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[Paper:] Isabel Monteiro (Lisbon): Music in Portuguese Renaissance Courts: Performers, Contexts and Places

The expression ‘heraldic music’ has been used to describe musical bands of a significant number of trumpets, kettle drums and shawms suitable to accompany solemn courtly and other ceremonial events, although we do not know much about the music they actually played. It is certainly not necessary to remind the fact that no great lord did not make use of music to present his class and power, standing in...

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[Paper:] Christian de Mérindol (Paris): A propos du Palais de Sintra, les priorités directionnelles et autres références

Dans une récente étude sur les références et pratiques à la cour royale du Portugal, nous avons relevé, notamment dans le Palais de Sintra, l’emplacement significatif de la salle des armoiries, l’orientation de l’écu royal en cette salle,ainsi que l’emploi de certaines couleurs et la présence soutenue de certaines formes et de certains nombres. Nos travaux, en particulier sur la maison de France, nous avaient préparé à ces observations....

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[Paper:] Nuno Senos (Lisbon): The Great Hall of the Ducal Palace of Vila Viçosa

From the 1530s to the 1560s, duke Teodosio de Bragança conducted a series of major construction campaigns in his family’s palace in Vila Viçosa providing the building with a new wing faced with a splendid marble façade (the first secular renaissance façade in the country) and a series of new rooms. Among these, a monumental staircase leads to an also new great hall of grand proportions, decorated with expensive...

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[Paper:] Pedro Flor (Lisbon): Decorating spaces: Artistic strategies of King Manuel I and the great hall of Sintra royal palace

Sintra became popular with the royal family as Queen Philippa of Lancaster received from King João I the rents and the properties of the town. Besides, the King set about rebuilding the royal lodgings around 1415. Sintra was rewarded by a series of royal visits from medieval times to Renaissance. Kings and its court stayed there on a number of occasions and seem to have particularly favoured the royal...

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[Paper:] Alessandro Savorelli (Florence): La Grande Salle de “Palazzo Vecchio” à Florence: la représentation du pouvoir entre république et seigneurie

Le Palazzo Vecchio (bati en 1299-1314) est aussi connu sous le nom de Palazzo della Signoria, mais en ce cas il n’est pas à confondre le mot “seigneurie/signoria” (qui à Florence désignait le gouvernement “républicain” de la Commune), avec l’expression communément utilisée pour definir les dominations qui s’affirment dans les des villes italiennes entre la fin du XIIIe siècle et le XVe s., après la crise des institutions communales....

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[Paper:] Solveig Bourocher (Tours): Les décors intérieurs et extérieurs de la grande salle du logis ducal de Loches au service du pouvoir de Louis Ier d’Anjou (1370-1378)

Après avoir reçu de son frère, le roi Charles V, le duché de Touraine en 1364, Louis Ier d’Anjou engagea la construction d’un palais neuf dans l’enceinte du château de Loches (France, Indre-et-Loire). De cette résidence princière, il reste aujourd’hui un corps de logis prolongé par une tour circulaire et une grande terrasse édifiée sur les voûtes d’une rampe cavalière. L’étude archéologique de l’ensemble, menée dans le cadre de...

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[Paper:] Sabine Sommerer (Zurich): The Eloquence of the King’s Chamber: Descriptions of Royal Palaces from the 10th-14th Century

Medieval descriptions of royal state-rooms can offer important clues on how to understand these spaces. We cannot always expect them to describe existing decorations. In many cases they demonstrably did not. But, to bring their panegyric or parodistic intentions to bear, the authors necessarily had to refer to the real world experience of their audience—and to surpass it. The following questions arise: Which popular topoi are referred to? Which...

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[Paper:] Dorit Malz (Florence): Jupiter and Neptune as Emperor Charles V and Andrea I Doria. Changing allusions at the Genovese court

The iconographic repertoire of Emperor Charles V, who was traveling restlessly through Europe until his abdication, extends from tapestries and medals to countless ephemeral apparati using different personalities from mythology, history, and biblical history, like Hercules, Neptune, Alexander the Great, Furius Camillus, Augustus and so on. Thereby the commissioner glorified himself or as one of these prototypes or as an accompanying person. It was consequently adopted by  Italian rulers...

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[Paper:] Julie Marquer (Lyon): Les salles d’apparat de l’Alcazar du roi Pierre Ier à Séville (XIVe siècle)

L’Alcazar de Pierre Ier de Castille construit à Séville entre 1356 et 1366 constitue un bon exemple du rôle que peut jouer l’architecture dans le renforcement du pouvoir royal. L’historien de l’art Juan Carlos Ruiz Souza et l’architecte Antonio Almagro, ont montré que les palais de ce roi sont au coeur de son projet politique qui consiste à renforcer et centraliser le pouvoir royal. Dans la lignée de ces...

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[CfA:] State-Rooms of Royal and Princely Palaces in Europe (14th-16th c.): Spaces, Images, Rituals – Lisbon/Sintra, 15-17 March 2017 (Programme)

From the fourteenth to the sixteenth century, European monarchies saw a gradual centralisation of power. This was accompanied by the dissemination of political ideas that contributed to the making of a new image of the prince, which relied on visual instruments to assert and construct the prince’s sovereign power. Royal and princely residences were at the centre of this phenomenon. In these privileged spaces, the sovereign accommodated an expanding...

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[CfP:] State-Rooms of Royal and Princely Palaces in Europe (14th-16th c.): Spaces, Images, Rituals – Lisbon/Sintra, 15-17 March 2017

From the fourteenth to the sixteenth century, European monarchies saw a gradual centralisation of power. This was accompanied by the dissemination of political ideas that contributed to the making of a new image of the prince, which relied on visual instruments to assert and construct the prince’s sovereign power. Royal and princely residences were at the centre of this phenomenon. In these privileged spaces, the sovereign accommodated an expanding...

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Tatort gesichert: Große Tagung im königlichen Palast in Sintra 2017 – und weitere Neuigkeiten aus dem „Performanz der Wappen“ Projekt

Vor zwei Wochen war ich für ein paar Tage in Lissabon. Zum einen, um auf Einladung von Miguel Metelo de Seixas einen Vortrag am ehrwürdigen Instituto Português de Heráldica zu halten, zumal an deren ganz besonderen Versammlungsort im Convento do Carmo – einem beim großen Erdbeben 1755 zerstörten und danach nur teilweise wiederaufgebauten Karmeliterkloster direkt über der Stadt. Unter dem Titel „Anciennes définitions et nouvelles perspectives : Qu’est-ce que sont des...