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Tagged: Middle Ages

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Tagung: Wappen als Waffe – Heraldische Symbole in politischen, dynastischen, militärischen und rechtlichen Konflikten des Mittelalters und der Frühen Neuzeit (13.-15.06.2024, Greifswald)

Internationale Fachtagung des Lehrstuhls für Allgemeine Geschichte des Mittelalters der Universität Greifswald unter der wissenschaftlichen Leitung von Dr. Ralf-Gunnar Werlich (Greifswald) Die Tagung beschäftigt sich mit Wappen als ein im Mittelalter und in der Frühen Neuzeit weitverbreitetes europaspezifisches Phänomen der visuellen Kommunikation und ihrer Rolle in politischen, dynastischen, militärischen und rechtlichen Konflikten. Mit dieser Schwerpunktsetzung betritt sie Neuland. Dies umso mehr als an konkreten Fallbeispielen orientiert erstmals derartige Konflikte...

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Exhibition: Knights of the Golden Fleece: a Brilliant Myth Unravelled (24.02.-2.06.24; Mechelen, Belgium)

We would like to bring the following upcoming exhibition to your attention: From February 24th to June 2nd, 2024, Museum Hof van Busleyden (Mechelen, Belgium) will host the exhibition “Knights of the Golden Fleece: a Brilliant Myth Unravelled”. About: The exhibition delves into the historical significance of the Order of the Golden Fleece, showcasing the grandeur and intrigue surrounding one of Europe’s earliest political alliances. Set against the backdrop...

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Lecture: The Digital Heraldry Project. A Knowledge Graph with Semantic Web Technologies and Machine Learning to study medieval visual sources

Philipp Schneider will present the Digital Heraldry Project at the DH AI Seminar at the Centre Sciences des Données at the École Normale Supérieure on Tuesday, 9 January 2024. Visual communication forms an important part of medieval and early modern european culture. Especially coats of arms were widely used in different social groups and offer an important source for cultural history. This subject is at the center of the...

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Early Heraldry in the Late Romanesque Wall Paintings of the Church of Artins (France)

Forgotten in the depot of the ‘Kunstsammlungen’ in Coburg Castle for decades, a ‘medieval tapestry’ was rediscovered in 2014. Soon after, it was determined, that the ‘tapestry’ was not in fact a tapestry, but a medieval wall painting that had been removed using the so called ‘strappo’-method.[1] Besides the monumental battle scene, three smaller painted fragments – showing early modern coats of arms – were also found in Coburg...

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[Publication] Heraldry in Medieval and Early Modern State Rooms (Heraldic Studies 3)

Just in time for Christmas, we are pleased to announce the publication of the long-awaited third volume of the “Heraldic Studies” series. Under the title “Heraldry in Medieval and Early Modern State Rooms” Miguel Metelo de Seixas and Torsten Hiltmann present a collection of fifteen richly illustrated articles that have emerged from the corresponding workshop held at the University of Münster from 16 to 18 March 2016. The volume...

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Heraldic Language in French Narrative of 12th-13th centuries

  In memory of Gerard J. Brault, 1929-2020   Being an MA in linguistics I was invited in 2013 by the group of Heraldry and Genealogy Project of the Institute of World History, Moscow, to conduct research on blazon as a professional language of heraldry. The idea was to add a new – linguistic – perspective to a primarily historical topic. When I started my inquiries in the world...

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A world (map) of coat of arms: Richental’s mappamundi

The Aulendorf copy of Richental’s chronicle, today preserved in New York, is rightly famous as an important textual witness not only of the chronicle but also the armorial transmitted with the latter (see https://heraldica.hypotheses.org/2854 on the manuscript and the coats of arms it contains). Today, I would like to draw attention to a slightly hidden feature of the Aulendorf manuscript, namely the mappamundi it contains – a so-called ‘T-O...

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La base ArmmA: Armorial monumental du Moyen Âge est en ligne

La base ArmmA (http://base-armma.edel.univ-poitiers.fr/), élaborée sous un logiciel WordPress par le service informatique I-Médias de l’Université de Poitiers, constitue l’interface web du programme de recherche Armorial Monumental du Moyen Âge lancé en janvier 2014 au Centre d’études supérieures de civilisation médiévale de l’Université de Poitiers. Dirigé par Matteo Ferrari (CNRS-CESCM) et Laurent Hablot (Paris, EPHE), ce programme de recherche vise, sur le long terme, à offrir une couverture la...

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[Report:] Heraldry in Medieval and Early Modern State-Rooms, Münster 16-18 March

On 16-18 March 2016 the workshop Heraldry in Medieval and Early Modern State-Rooms took place in Münster. The origins of this workshop lay in the challenges of understanding the function of the heraldic display in one particular state-room: the sala dos brasões of the National Palace in Sintra, Portugal, dating from the early sixteenth century. The ceiling of this hall presents the coats of arms of the Portuguese royal...

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La base de données Bibale, un outil pour des recherches héraldiques

Depuis le printemps de 2014 il existe un outil en ligne qui mérite d’être porté à l’attention aux personnes intéressées en héraldique. Il s’agit de la base de données « Bibale », qui est conçue et alimentée à la Section de codicologie, histoire des bibliothèques et héraldique de l’Institut de recherche et d’histoire des textes (IRHT). BIBALE (pour BIBliothèque médievALE) est une base de données qui a pour objectif de...

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Programme: Heraldry in Medieval and Early Modern State-Rooms: Towards a Typology of Heraldic Programmes in Spaces of Self-Representation – Münster, Germany, 16-18 March 2016

Heraldry was an ubiquitous element of state-rooms. Whether in palaces of kings and princes, castles of noblemen, residences of patricians, city halls or in cathedral chapters, heraldic display was a crucial element in the visual programme of these spaces. Despite its omnipresence, however, heraldic display in state-rooms remains largely understudied so far. Given the fundamental role of heraldry in medieval and early modern visual communication, it seems essential to...

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Die Quaternionendarstellung in CGM 145 und Konrad Grünenbergs Selbstdarstellung als Stadtbürger

Der folgende Auszug einer Seminararbeit beschäftigt sich mit der Quaternionendarstellung in CGM 145 und Konrad Grünenbergs Selbstdarstellung als aufstiegwilliger Stadtbürger. Über Kommentare zu diesem Versuch, heraldische Inhalte symboltheoretisch zu erschließen, wäre ich sehr erfreut. Unabhängig der Bedeutung, die den Quaternionen als zusammenfassenden Darstellung der Reichsstände bei der späteren Rezeption zugemessen wurde, scheint es lohnend, auf einige Differenzen zwischen dem ‚Original‘ im Frankfurter Römer (1414) und den Abbildungen bei Grünenberg...